Being ill · companion dogs · disability · Dogs and music · Great Indian Musicians · Hindustani Classical Music · music therapy · Ustad Amir Khan

Raga, Marwa, and Malkauns

On 31st July, at 20:20, Raga went into her surgery- for a tail amputation. She had developed gangrene and the decision was taken in the morning itself when I had taken her to the vet’s, for a catheterization- to empty her bladder. On a sudden thought I decided to take my electronic tanpura with me,… Continue reading Raga, Marwa, and Malkauns

Great Indian Musicians · Hindustani Classical Music · Indian Classical Music · Making art · Musicians · research · Ustad Amir Khan

Ustad Amir Khan- online repertoire

Ustad Amir Khan was such an enigma that most people have not been able to analyse the reason for the appeal of his music. Anyhow this link that I shared above is a compilation by someone who was kind enough to permit me to use from his site. Here it is the entire thing, though the… Continue reading Ustad Amir Khan- online repertoire

Art and meaning · Art and Philosophy · Great Indian Musicians · Hindustani Classical Music · modern anxieties · music pedagogy · Musicians · Prateeksha Sharma · Prateeksha's music · Ustad Amir Khan

When the guru aligns with you

I did not know that Saturday was guru purnima. Neither did Madhuri aunty, my guru, when she called in the morning to say that we could do an extra class together. I notice for the last few days she is generally happy with teaching me, and is more generous in sharing complex compositions that she… Continue reading When the guru aligns with you

Art and meaning · Great Indian Musicians · Hindustani Classical Music · Indian Classical Music · music pedagogy · Musicians · Ustad Amir Khan

Tarana and Amir Khan Saheb- timeless art

A few days back (April 23rd, 2014) I posted this link

http://www.podsnack.com/AC76CCBA9F7/a7k8gm3j

to- my facebook page

just to save it for my own reference for later on. Now am doing with same by putting it down on my blog, for perhaps at that time this idea did not occur or the blog itself was not in place.

Amir Khan Saheb was among the greatest of musicians of the Indian subcontinent. To the extent that though it is decades that he passed away, his music is still as fresh, as deep, as mesmerizing and standing equally as tall as it may have during his time, or is it that in the passage of this time, he has become bigger? Not sure about it.

The interview that I am sharing here was recorded by the BBC Radio. He talks about the tarana as a form of song in particular and what got me saying ‘wow’ was that till I heard the interview I did not know that the words used in the tarana had any meaning, for according to what I had heard and been handed down to me, it was some meaningless phraseology utilized by musicians. Yes, in the Gandharva Mahavidyalaya, where I was once a student (in 1997-8 perhaps in the MA class then) I was told that the original phrase had been ‘om anant hari narayan’ and that was turned around to meaningless words- nom, tananana, dere, tom, etc etc etc…and I believed it! This interview clarifies the meaning of the tarana and where it germinates from. Of course we all know about Amir Khusro as the father of the form.

That brings me to the fact that I was just discussing with my own guru, Madhuriji about tarana and I wanted to learn something in Hamsadhwani…and guess what she said? “No there are no taranas going around in Hamsadhwani!…except for the Indore gharana one!!”

I could not believe it. Wow! I thought Amir Khan was the only one who created a tarana in Hamsadhwani…and wonder of wonders, I heard Kishori (ji) Amonkar singing it. That is one musical great saluting another. When I discussed this with someone, they said that she does that, she sings whatever bandishes she likes. That is I think another sign of greatness, and something we all younger lot can take a leaf from as well. (then why the hell should I also not sing the same?!)

Anyhow, I did not learn the tarana in Haunsadhwani/Hamsadhwani, but in Puriya Dhanashri, this morning at 11am 🙂

Great Indian Musicians · Hansadhwani Foundation · Hindustani Classical Music · Kabir · music pedagogy · Musicians · Prateeksha Sharma

Music pedagogy- the pathway that isn’t

I recently got an email with this content- On a Mian Ki Todi “ Salamat Ali Khan was initiated into classical music together with his elder brother Nazakat Ali Khan under the able guidance of their father Ustad Vilayat Ali Khan at the tender ages of five and seven respectively. They were initially taught the basis of dhrupad but later concentrated on learning… Continue reading Music pedagogy- the pathway that isn’t

Great Indian Musicians · Hindustani Classical Music · Indian Classical Music · music pedagogy · music research · Musicians · Prateeksha's music · research · Ustad Amir Khan

Nat Bhairav and deeper waters

Today I began my new innings in learning music once again, after a break of nearly a decade, in the course of which much musical work was done- including writing, research, performances, albums, lecture-demonstrations, dialogues on music, workshops, advocacy about music pedagogy and music therapy. But this, my own new beginning is like the start… Continue reading Nat Bhairav and deeper waters

Great Indian Musicians · Hindustani Classical Music · Indian Classical Music · Music as Identity · Musicians · Prateeksha Sharma

Kabiri Bhairav – encountering a new raga and a great musician

This is a blogpost copied from my Kabir Blog- http://merakabir.blogspot.in/ It is unusual for me to write so early in the morning, that too on my blog. I think from last evening or perhaps last few days a lot of ideas were tossing in my mind and I had to put them down on paper lest… Continue reading Kabiri Bhairav – encountering a new raga and a great musician